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3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
From SATA direct attached to Xsan or Unity this is the place to find out what works best for the systems your trying to deploy. Fiber, SAS or iSCSI find out what makes seances for your systems.
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Select Forum
3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
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