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3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
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A place to discuss things like REC 709, P3 or the recommended brightness of a plasma display. This group is for those interested in calibration and color theory for a one man shop or an industrial facility.
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UK:...">709 targets for my new PR 655
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Creative environment networking doesn't always play be cooperate IT's rules. This group is a place to discuss studio networking, user directory administration and information systems management with an eye towards creative studio environments.
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Dual Link, 3Ghz, Fiber… There are a lot of ways to distribute a video signal. This group is the place to discus what's new or what's not working.
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It's not going away any time soon, find answers to common problems with HDCAM SR, D5 or DVCPro tape machines in this group.
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This is the place to talk about on set or in post workflows for managing image data. Note: This is a no drag and drop zone… Not sure what that means, maybe you should look inside and check it out.
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From SATA direct attached to Xsan or Unity this is the place to find out what works best for the systems your trying to deploy. Fiber, SAS or iSCSI find out what makes seances for your systems.
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All things related to engineering issues.
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Select Forum
3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
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