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3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
A place to discuss things like REC 709, P3 or the recommended brightness of a plasma display. This group is for those interested in calibration and color theory for a one man shop or an industrial facility.
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September 6, 2010
September 27, 2010... @lightillusion.com">ste... @lightillusion.com </a>
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September 6, 2010
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Select Forum
3D – ACQUISITION
→ Side-by-Side Rigs
→ Over-Under Rigs
→ All-In-One
→ Other Things 3D
CAMERAS
→ RED Cameras
→ Arri ALEXA Camera
→ Canon Cameras
→ Panasonic Cameras
→ SONY Cameras
→ JVC Cameras
→ GoPro Cameras
→ Vision Research PHANTOM Cameras
→ Film Cameras
→ Other Cameras
PRODUCTION SOUND
→ Sound Mixers and Recorders
→ Microphones
→ Booms and other
MISCELLANEOUS
NON-LINEAR EDITORIAL SYSTEMS
→ Final Cut Pro
→ AVID
→ Adobe CS Suite
→ Other NLEs
COLOR CORRECTION
→ Apple COLOR
→ Assimilate SCRATCH
→ BlackMagic DaVinci RESOLVE
→ Other Color Correctors
ENGINEERING
→ Color and Monitoring
→ Studio Networking
→ Video Engineering
→ Tape Operation and Engineering
→ Data Management
→ Storage
POST SOUND
→ Pro Tools
→ Cubase + Nuendo
→ Soundtrack Pro
MISCELLANEOUS
FORUM REQUESTS/QUESTIONS/SUGGESTION…
CASTING CALLS/NOTICES/REQUESTS
JOBS/BUY/SELL/TRADE/RENT
RANDOM STUFF
New/Recently Updated Topics
Dual RED MX rig, how do I keep them…
External recording with the ARRI Al…
Arri ALexa Log-C ProRes in FCP
Double System Sound on the Arri Ale…
Alexa – direct to edit – truth or m…
Recording on-board versus using an …
specific settings for HPX170 and FC…
Phantom FLEX vs Phantom Gold?
Where should I buy car suction moun…
Ki Pro and SxS
Digital Video – Capture to Delivery…
Fabulous Cut X or Fiasco Cut X?
Mac Pro and Audio Interface
About blurays…
Cool NAB '11 wrap up!
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